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| RBS: Homeland |
November came in like a sauna and went out like a cold shower. We had a sustained period of hot, sunny afternoons, and then the last two weeks have been more typically autumnal. My art practice during November turned out to be mostly collage. Strathmore makes a very sturdy textured paper out of bamboo. As far as I can figure out it only comes in two sizes, trading card (2.5" x 3.5") and greeting card (5"x 7," folded, with envelopes.) The card stock stands up well to the acrylic medium that I use as glue and glaze for my collages. It was pleasant, after having spent most of October working with only black and white, to play with color again. I wound up doing about 35 collages in this series, and within that set of 35 several smaller sequences. Typically I'll choose a set of papers and then wind up doing two or three or four different collages using the same basic set materials, and then pull out a different set of papers and do the same thing with them. One thing I noticed about what I have been doing is that my tendency is to build a collage additively, using only one piece of each kind of paper in any given collage, as in these examples.
Colors or shapes can and do echo one another, but I do not normally include or layer multiple pieces of the same paper. But I do see other collage artists doing that to good advantage. Here, for example, is a masterful instance by Robert Motherwell entitled Australia II, where he has an interesting mix of repeated and cognate elements on the one hand and unique elements on the other:
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| Motherwell: Australia II |
So I'm thinking that's something I want to start playing with in my next sequence. But so far in December I've been playing possum. I've been doing a lot of reading and a fair amount of writing, but no art yet, and I've been turning over in my mind what I would like to do next, and when, and why.
