Quarter to Twelve
A strident sun overseeing what might
be desert, what might be sea. Rocks
just here; on the horizon, perhaps, hills.
Something breaking up in the middle
(where it all began, where it always
begins): buckthorn bursting into bloom,
grackles harassing wrens, or maybe
some kind of business with an axe.
Over on the right, a building? A book-
case? A mirror? All of the above?
The whole surrounded by a wall:
contents under pressure. The light
doing its definitive work. The day
nearly over, or just about to begin.
Process Reflection:
It's been a while since I did a pen-and-ink abstract. Wound up doing this one yesterday. It's small, maybe 4" x 6". As usual I had no idea what it was going to turn out to be as I was doing it. I started in the middle drawing more or less random shapes, and worked my way around, ending with the circular figure in the upper left. I was aware, as I worked, of wanting to break up whatever patterns were emerging as I worked, which is why I went to some horizontals in the lower right and then to some verticals and right angles in the upper right. By the time I got to the upper left all I had left to do was circles, so since it was looking landscapey by that time I decided to do a sun thing.
But I kind of liked the way it came out. And today when I was trying without success to get some traction on a poem, I put that work aside and thought I'd just try to work out from the drawing and see what words showed up. I was conscious of wanting to have the poem have some of the same shiftiness that was present in the picture, as well as some of the same continuity. The title just popped into my mind somewhere in the middle of the third or fourth draft.
Looking at the picture as it will appear here, I notice that it appears a little lumpier than it would if I had taken it with my regular camera than with my iPhone. But you can kind of get the idea of what it looks like.
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